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    This blog documents the creation of eleven paintings inspired by the 17th century palette of works in Rembrandt and the Golden Age of Dutch Art, an exhibition that traveled to three U.S. cities in 2006-07. During June of 2007, all eleven paintings were presented as my exhibit, Lessons from the Low Countries, while the Rembrandt exhibit debuted its three-month stay at the Portland Art Museum in Portland, Oregon. Read the documentation and see all finished works of this year-long project in the August 2006 through June 2007 entries on this blog.

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March 23, 2007

Geology Raw Sienna, 101

Limonite clayRaw_burnt_sienna_paint_2 is a main ingredient in the pigment family called sienna. Raw sienna is described as a dull brownish yellow, which in spite of its dullness, is very versatile and widely used by artists. I have used it for the shady side of yellow objects, in backgrounds, and even fleshtones. It also is a perfect color, used alone, as a shadow tone for white objects such as sheet music, pages of books, and white textiles and fabrics.

Even after a painstaking effort of levigation (separating the particle sizes with water) the siennas retain a very desirable toothy texture. Raw sienna is lightfast, transparent which makes it a splendid glazing color. Another very important characteristic is the excellent drying time.

Raw sienna has a very high oil absorption, up to 100%, thus will darken considerably after grinding into a paint, as you can see here. According to Kurt Wehlte in The Materials and Techniques of Painting, "sienna is one of the ancient pigments whose appearance and durability has never been matched, let alone surpassed, by modern industrial products.

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