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    This blog documents the creation of eleven paintings inspired by the 17th century palette of works in Rembrandt and the Golden Age of Dutch Art, an exhibition that traveled to three U.S. cities in 2006-07. During June of 2007, all eleven paintings were presented as my exhibit, Lessons from the Low Countries, while the Rembrandt exhibit debuted its three-month stay at the Portland Art Museum in Portland, Oregon. Read the documentation and see all finished works of this year-long project in the August 2006 through June 2007 entries on this blog.

« Testing, Testing | Main | From Here to Modernity »

March 10, 2007

More Testing

As expected, black was painfully slow to dry. In this test, we included:

  • bone black (4 days)
  • bone black slightly gritty (8 days with very apparent tack)
  • black Roman earth (4 days with some tack)

The drying times of the specialty colors:

  • vermilion - 21 hours- but color rubs off slightly
  • azurite - 22 hours
  • lapis - 44 hours
  • minium - 44 hours

Eight green earths were tested and found to have wildly different drying times. Celadonite was the slowest of all the tested colors, including the blacks.

The careful record keeping and precise testing was splendidly beneficial. After review of the results, I have eliminated many colors and now have 16 reasonably fast drying pigments plus white for my palette. I now use: 1 each, green earth, red, blue, blue/green, red.orange, 2 umbers, 4 ochres, 4 siennas, and 1 black. Sometimes I sneak in a little lead-tin-yellow and a few lakes which beautifully round out all that is necessary.

This simple limited palette is remarkably varied. I can achieve an endless range of bright, subtle, dark, light and neutral tones.

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