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    This blog documents the creation of eleven paintings inspired by the 17th century palette of works in Rembrandt and the Golden Age of Dutch Art, an exhibition that traveled to three U.S. cities in 2006-07. During June of 2007, all eleven paintings were presented as my exhibit, Lessons from the Low Countries, while the Rembrandt exhibit debuted its three-month stay at the Portland Art Museum in Portland, Oregon. Read the documentation and see all finished works of this year-long project in the August 2006 through June 2007 entries on this blog.

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May 20, 2007

Smalt Fears No More

I can't thank Dr. Kremer from Kremer Pigments enough for taking the time to respond to my blog post about Smalt. His expertise and knowledge is completely invaluable to me in my research for my Lessons from the Low Countries project. The information about smalt, in particular, is most helpful as I have been reluctant to use it at all.

There is mostly vague and controversial information in the research books. Because the archival quality of my paintings is of utmost importance, I have used only the colors I feel confident with. Now that Dr. Kremer has explained the properties of smalt, I feel assured it will be safe to use in a future project. According to him, "smalt is never mixed with lead white, only transparent glass powders or chalk. It is a very stable glass pigment, lightfast and stable in oil, distemper and watercolor." I think my next testing will involve smalt and chalk.

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Comments

Margret- Fabulous project and beautiful paintings. This project "Lessons From The Low Countries" is incredibly ambitious and I can't wait to see the final results. I'm hoping to fly down to Portland if I can get time away from work. Having seen your work in a Tulsa museum I am eager to see more of it. Viewing paintings on the web is a tease albeit a pleasurable one but seeing them in person is always such an incredible experience.

Best Wishes,

Cindy Revell

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