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    This blog documents the creation of eleven paintings inspired by the 17th century palette of works in Rembrandt and the Golden Age of Dutch Art, an exhibition that traveled to three U.S. cities in 2006-07. During June of 2007, all eleven paintings were presented as my exhibit, Lessons from the Low Countries, while the Rembrandt exhibit debuted its three-month stay at the Portland Art Museum in Portland, Oregon. Read the documentation and see all finished works of this year-long project in the August 2006 through June 2007 entries on this blog.

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December 30, 2007

Fast Forward

Fast Forward- December, 2007. It is such an honor to have been Jeanette's childhood friend and grow up to have her write an article (shown in previous post) about my 1995 art exhibit at Mt. Hood Community College. My Mom, Esther, found a copy of Jeanette's article in her attic, and gave it to me the other day.

It is a very timely topic because I have recently been reading Living the Creative Life: Ideas and Inspiration from Working Artists by Rice Freeman Zachery. So many images created by Jeanette in her story came to light again in this amazing book, which is filled with personal stories from artists just like us. The one common thread here is most of these artists grew up making things, mostly from nothing, just as Jeanette described.

In our neighborhood, we played outside or in. We build forts, slept on the grass on warm summer nights, climbed trees, made pretend stores with gray-weathered boards and dried mud merchandise formed in shapes of cans or loaves of bread; leaves and rocks became our currency. All of us, Quincy, Dot, Sonny, Joe, Francis, Jeanette, and many others played and made things out of nothing.

Paper dolls were over the top fun. Using finger paints and paper, colorful swirls were placed in lovely perfection and left to dry. Beautiful clothes emerged with careful manipulations of the scissors. In those days, anything could become something. A cork, some yarn, sticks, a piece of fabric, an oatmeal box, egg shells, and sea shells all were destined to metamorphose into a priceless object of art.

Today, just like then, while in my studio, I swirl pigments into paints making something from nothing. All initially were simple minerals, shells, insects, or carefully selected colorful dirt. With a measure of linen, a staple gun, and pliers, a tight and smooth structure is made on which to place those little pieces of magical colorful hues. Some things never really change. Thanks, Jeanette, for the lovely memories.

Lace and Oranges - 1995

Lace_and_oranges_30_x_24_email_size Lace and Oranges

by Margret Short  1995

Oil on Linen 30x24

Painted in those early years, Lace and Oranges was featured on the cover of the Oregon Public Broadcasting Focus Magazine. It was also in the 1995 exhibit at Mt. Hood Community College.

Hollyhocks and Cookie Jar-1995

Hollyhocks_and_cookie_jar_email_siz HollyHocks and Cookie Jar

by Margret Short  1995

Oil on Linen   18x14

Hollyhocks and Cookie Jar is a painting in the 1995 exhibit at Mt. Hood Community College Fireside Room. During the previous six or so years of intense study, I developed my passion for this very dramatic "focus of light" technique of chiaroscuro. The mystery lies in the surrounding areas where the viewer must quietly gaze into the background to see what is really there. At first glance, it is not apparent, and the viewer must make the discovery.

December 25, 2007

May 1995...and Other Recollections

MAY 1995___PRESS RELEASE__East County Magazine_____East County History Corner

Art of  Former East County Resident, Margret E. (Fuller) Short, on Display  at  Mt. Hood   Community  College

By Jeanette Crockett McDermid___________Historical Society Member

GRESHAM, OREGON _____In the 1940s and early 1950s, living on Glisan between 182nd and 188th was still a "country" style life. There was not any television, and we did not have telephones. Your friends were the people who lived close by because the world was contained in a very small area. Our entertainment as children was also contained in a very small area and virtually created by ourselves.

Imagination was the key to making the little world enjoyable and exciting. There were no Nintendo or television character plastic people to play with. We did play little cars in the dirt, even the girls, and played wild cowboys, and with paper dolls, cutting out the clothes ourselves coloring and sometimes getting lucky enough to get some plain paper and getting to draw your very own picture.

I was fortunate; I got a chalk board to use. It had two sides that you could use, one as though it were on an easel and the other folded down flat. Therefore, I drew and finally started painting on whatever I could find with whatever I could find to paint with.

Little did I know that one of my friends down te street on the corner of 188th and Glisan had the same feeling about drawing and painting that I had. The difference is I still just dabble in art, write about and hang art shows, but she has become a very fine artist. Her name is Margret E. (Fuller) Short. She has a one-person exhibit now at Mt. Hood Community college in the Fireplace Gallery.

I spoke with Margret this week and she told me how she loves looking at the sunrises and sunsets and even as a child felt the need to capture that beauty in a timeless way., She spoke about the early morning times we got on our bikes to ride to the berry fields in the summer to earn a bit of money and being outside getting to see the wonders, beauty, and color that possibly not everyone noticed.

Margret listened constantly to the radio, mostly with her grandmother, and created and imagined her way through the programs she just listened to and never saw except in her mind's eye. Now, we get to peek into this creative spirit through her paintings.

............................

Jeanette's article continues with descriptions of my current studio, my working methods, and such.

December 12, 2007

Autumn's Messengers

Autumns_messengers_9x10_email_size_ Autumn's Messengers

by Margret Short

9x10  Oil on Linen

presented at the

American Women Artists Master Signature and Signature Members Show and Competition Exhibition

December 6, 2007 thru January 6, 2008

LeKae Gallery, Scottsdale, Arizona

American Women Artists Exhibit

Day_of_the_dahlia_30x30_email_size_ Day of the Dahlia

by Margret Short

30x30  Oil on Linen

presented at the

American Women Artists Exhibit

Master Signature and Signature Members Show and Competition Exhibition

December 6, 2007 thru January 6. 2008

LeKae Gallery, Scottsdale, Arizona

December 07, 2007

The Turning Point

The_turning_point_12x12_email_size_ The Turning Point

12 x 12  Oil on Linen

by Margret Short

Lawrence Gallery

Salishan, December

Practically Edible

Practically_edible_12x12_email_size Practically Edible

12 x 12   Oil on Linen

by Margret Short

Lawrence Gallery

Salishan, December 2007

Plum Mania

Plum_mania_12x12_email_size_07 Plum Mania

12 x 12 Oil on Linen

by Margret Short

Lawrence Gallery

Salishan, December 2007

Plum Frenzy

Plum_frenzy_9x10_email_size_07 Plum Frenzy

9 x 10  Oil on Linen

by Margret Short

Lawrence Gallery

Salishan, December 2007