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    This blog documents the creation of eleven paintings inspired by the 17th century palette of works in Rembrandt and the Golden Age of Dutch Art, an exhibition that traveled to three U.S. cities in 2006-07. During June of 2007, all eleven paintings were presented as my exhibit, Lessons from the Low Countries, while the Rembrandt exhibit debuted its three-month stay at the Portland Art Museum in Portland, Oregon. Read the documentation and see all finished works of this year-long project in the August 2006 through June 2007 entries on this blog.

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March 30, 2008

Vagone Green

Lace_and_plums Shown here is the first painting completed in my new studio. After so many months of not painting, it is splendid to be back to work, specifically experimenting with the natural pigments again. Initially, I felt very rusty but after just a little while it all seems familiar again. I had to review my drying charts from last year to see which pigments were the most desirable. The green in the leaves is vagone green which is one that has excellent drying properties. In my previous experiments I found other greens such as terra verde and celadonite to be poor driers. Another benefit to this pigment is the natural muted tone. Just a slight augmentation with a darkener for a shadow tone or white or lead tin yellow for a lighter passage gets the value where I want it to be. The fewer the pigments, the less confusing and muddy looking the mixtures are.

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Comments

Gorgeous! I've been inspired to start painting still lifes, starting small of course, but your work has been a great motivator -- shows me just how far I have to go to reach close to perfection.

Luscious paint handling as always. I was just trying to decide which green earths I'd like to try and noticed that Kremer's Vagone Green is an enhanced pigment. Perhaps, as you've indicated, this is an improvement. My celadonite and bohemian green earth seem to be rather thin colors lending themselves to subtle glazes. But since your Vagone Green linked to Natural Pigments' Verona Green I was wondering. No matter they're all beautiful.

The link to Vagone Green should have been Sinopia. Sorry for the confusion.

Lovely little painting. Is it a detail of a larger one? I'm curious as to why fast drying time is important to you. Sometimes it is to me, and sometimes not. How does this pigment compare to sap green?

Oh gosh, with all these questions, I hope you don't decide to stop blogging again!

The lace is beautiful.

Thank you very much. Margret

Very interesting blog

Margret, what happened? I'm looking forward to seeing more work. Take a break from that other stuff you are doing and post something for me to look at please.

Thanks for the nudge. See new postings starting May 14, 2008. Margret

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